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Shitta-Bey Mosque


History


Mohammed Shitta Bey, a merchant and philanthropist who was born in Sierra Leone to Yoruba parents, funded the mosque's construction beginning in 1891. The building was constructed using tilework that portrayed Afro-Brazilian architecture, under the direction of Brazilian architect João Baptista da Costa. On July 4, 1894, the Shitta-Bey Mosque was dedicated at a ceremony officiated by Sir Gilbert Carter, the Lagos governor.

Urban and Architectural


a squar plan mosque with Brazilian Baroque influence in the facade. The brick façade with ceramic cladding is divided by stone pillars, and the vault above is covered with a gable roof.

Description


The Shitta Mosque was constructed in the Brazilian architectural style and features a traceried canopy as well as pinnacles with floral decorations reminiscent of Taiwo Olowo's monument. The pattern is still there, at least in the former Ahmadiyya Central Mosque in a degraded form.

References


https://cialagos.org/portfolio/conservation-2/

https://en.wikipedia.org/wiki/Shitta-Bey_Mosque

https://mavcor.yale.edu/material-objects/shitta-bey-mosque



Details

Location

Martin St, Lagos Island 102273, Lagos, Nigeria

Worshippers

200

Owners

Mohammed Shitta Bey

Year of Build

1894

Area

400

Drawings

Map

History

Mohammed Shitta Bey, a merchant and philanthropist who was born in Sierra Leone to Yoruba parents, funded the mosque's construction beginning in 1891. The building was constructed using tilework that portrayed Afro-Brazilian architecture, under the direction of Brazilian architect João Baptista da Costa. On July 4, 1894, the Shitta-Bey Mosque was dedicated at a ceremony officiated by Sir Gilbert Carter, the Lagos governor.

Urban and Architectural

a squar plan mosque with Brazilian Baroque influence in the facade. The brick façade with ceramic cladding is divided by stone pillars, and the vault above is covered with a gable roof.

Description

The Shitta Mosque was constructed in the Brazilian architectural style and features a traceried canopy as well as pinnacles with floral decorations reminiscent of Taiwo Olowo's monument. The pattern is still there, at least in the former Ahmadiyya Central Mosque in a degraded form.