اللغات

The University of Natal Jama'at Khana Masjid


History


The masjid was designed in 1995 by Architects collaborative to be a prayer space fro students on campus.

Urban and Architectural


A prayer space including a main prayer hall, a patio, a women's area, a library, and a small kitchen for university students. The building is made of a concrete structure with brick siding. The volume is of somewhat deconstrcuted cubes.

The building's form's rigid yet straightforward geometry is maintained at the main entrance. A concrete portal that frames the entrance and a number of decorative motifs above the double doors serve to visually reinforce the idea of this entrance. Men access the first floor gallery directly via a smaller (side) door on the east.

Both men and women conduct wudu and take off their shoes before praying. The windows are narrow, the ceilings are low, and the volumes are minimized in the support spaces (toilets and tea kitchen).

Description


The mihrab is represented as an extended prism, and the surface decoration on it, which is a continuation of the interior design, communicates the mihrab's significance outwardly. Outside decoration is kept to a minimum.

References


https://www.kznia-journal.org.za/sites/default/files/1996.3%20Islamic%20Architecture.pdf

https://ukznjk.wordpress.com/

https://www.archnet.org/sites/1432

https://www.kznia.org.za/durban-city-guide/islamic-architecture/jama%E2%80%99-at-khana-masjid


Details

الموقع

Natal University Jamaat Khana, Rick Turner Rd, Berea, 4041, South Africa

عدد المصليين

250

المالك / المتبرع

The University of Natal

تاريخ البناء

1995

Area

500

الرسومات المعمارية

الخريطة

History

The masjid was designed in 1995 by Architects collaborative to be a prayer space fro students on campus.

Urban and Architectural

A prayer space including a main prayer hall, a patio, a women's area, a library, and a small kitchen for university students. The building is made of a concrete structure with brick siding. The volume is of somewhat deconstrcuted cubes.

The building's form's rigid yet straightforward geometry is maintained at the main entrance. A concrete portal that frames the entrance and a number of decorative motifs above the double doors serve to visually reinforce the idea of this entrance. Men access the first floor gallery directly via a smaller (side) door on the east.

Both men and women conduct wudu and take off their shoes before praying. The windows are narrow, the ceilings are low, and the volumes are minimized in the support spaces (toilets and tea kitchen).

Description

The mihrab is represented as an extended prism, and the surface decoration on it, which is a continuation of the interior design, communicates the mihrab's significance outwardly. Outside decoration is kept to a minimum.